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Yonsok YI;Piano, 2022; oil and acrylic polymer inlaid on engraved and finely sanded wooden panels; 25 × 300 × 4 cm, triptych; courtesy of the artist; photo: Joseph LeeYonsok YI; Piano, 2022; panel 1 of 3; oil and acrylic polymer inlaid on engraved and finely sanded wooden panel; 25 × 100 × 4 cm (detail); courtesy of the artist; photo: uma shinYonsok YI; Piano, 2022; panel 2 of 3; oil and acrylic polymer inlaid on engraved and finely sanded wooden panel; 25 × 100 × 4 cm (detail); courtesy of the artist; photo: uma shinYonsok YI; Piano, 2022; panel 3 of 3; oil and acrylic polymer inlaid on engraved and finely sanded wooden panel; 25 × 100 × 4 cm (detail); courtesy of the artist; photo: uma shinYonsok YI; Thunder, 2021; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; Thunder, 2021; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 함 Korean Wedding Chest, 2023; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 섬전암 Fulgurite, 2022; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 2023; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 2023; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; Flying Thief Who Swallowed Diamonds, 2021; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 함 Korean Wedding Chest, 2023; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; Lily, 2023; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; Lily, 2023; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 2023; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; “Often, it is the surviving story which is decisively less important.”, 2025 (re: 2023); oil on black canvas, 130.3 × 162 cm; courtesy of the artist (photo: Joseph Lee)Yonsok YI; “Often, it is the surviving story which is decisively less important.”, 2025 (re: 2023); oil on black canvas, 130.3 × 162 cm, detail; courtesy of the artist (photo: Joseph Lee)Yonsok YI; Flying Thief, 2025; panel 1 of 2; oil on black canvas with oblique frame; 25 × 25 cm; courtesy of the artist (photo: Joseph Lee)Yonsok YI; Flying Thief, 2025; panel 1 of 2; oil on black canvas with oblique frame; 25 × 25 cm; courtesy of the artist (photo: Joseph Lee)Yonsok YI; Flying Thief, 2025; panel 2 of 2; oil on black canvas with oblique frame; 25 × 25 cm; courtesy of the artist (photo: Joseph Lee)Yonsok YI; Flying Thief, 2025; panel 2 of 2; oil on black canvas with oblique frame; 25 × 25 cm; courtesy of the artist (photo: Joseph Lee)Yonsok YI; Cream & Lotion, 2025; panel 1 of 2; oil and acrylic polymer on wooden panel; Ø 10 × 2.5 cm; courtesy of the artist (photo: Joseph Lee)
Yonsok YI; Cream & Lotion, 2025; panel 2 of 2; oil and acrylic polymer inlaid on engraved and finely sanded wooden panel; Ø 10 × 2.5 cm; courtesy of the artist (photo: Joseph Lee)Yonsok YI; Mirror, 2025; oil on black canvas, 61 × 91.5 cm; courtesy of the artist (photo: Joseph Lee)Yonsok YI; The Dog, 2022; oil and acrylic polymer inlaid on engraved and finely sanded wooden panel, 41 × 52.7 × 3 cm; courtesy of the artist (photo: Joseph Lee)Yonsok YI; Bathroom, 2025; oil, ceramic powder, and acrylic polymer inlaid on engraved and finely sanded wooden panel; variable dimensions (multi-unit composition); courtesy of the artist (photo: Joseph Lee)Yonsok YI; Hotel, 2025; oil on black canvas, 100.5 × 80 cm; courtesy of Artist (photo: Joseph Lee)Yonsok YI; G, 2025; oil on black canvas, 25 × 25 cm; courtesy of the artist (photo: Joseph Lee)Yonsok YI; Tantalus, 2025; oil on black canvas, 20 × 20 cm; courtesy of the artist (photo: Joseph Lee)Yonsok YI; The Dog, 2022; oil and acrylic polymer inlaid on engraved and finely sanded wooden panel, 41 × 52.7 × 3 cm, detail; courtesy of the artist (photo: uma shin)Yonsok YI; 2023; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 2023; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 사람 머리 새 Human-faced Bird, 2025 (re: 2017); oil on polyester canvas mounted on wooden panel with oil and acrylic polymer, fixed with brass nail, 30 × 30 cm; courtesy of the artist (photo: Joseph Lee)Yonsok YI; Sfumato, 2025 (re: 2021); oil on black canvas, 97 × 97 cm; courtesy of the artist (photo: Joseph Lee)Yonsok YI; 2023; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; Picture Plane (The Richter candle, sq.), 2025; oil on black canvas, 20 × 20 cm; courtesy of the artist (photo: Joseph Lee)Yonsok YI; Picture Plane (The Richter candle, tri.), 2025; oil on black canvas, 41 × 40.2 cm; courtesy of the artist (photo: Joseph Lee)Yonsok YI; Summery of a November Morning, 2025; oil on black canvas, each 41.5 × 24.5 cm; courtesy of the artist (photo: Joseph Lee)Yonsok YI; Easel, 2021; oil, copper powder, corrugated polypropylene sheet, and acrylic polymer, framed, 28 × 23 cm; courtesty of the artist (photo: Joseph Lee)Yonsok YI; Clock, 2025; oil on black canvas, 31 × 30 cm; courtesy of the artist (photo: Joseph Lee)Yonsok YI; “Only part of the left ear and eye survived.” (you will never learn), 2022; oil on black canvas, 54 × 73 × 5 cm; with tail, 2022; oil on hand-carved wood, 4 × 4 × 30 cm; courtesy of the artist (photo: Joseph Lee)Yonsok YI; “Only part of the left ear and eye survived.” (you will never learn), 2022; oil on black canvas, 54 × 73 × 5 cm; courtesy of the artist (photo: Joseph Lee)Yonsok YI; rose, 2022; oil and acrylic polymer on linoleum blocks; oil and soot on hand-carved wooden panels; variable dimensions (multi-unit composition); courtesy of the artist (photo: Joseph Lee)Yonsok YI; Gilded Script (Bonds with Blots), 2021; oil on paper mounted on wooden panel with brass nails, 23 × 16 × 3 cm; courtesy of Artist (photo: Joseph Lee)Yonsok YI; Bonds with Blots, 2021; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artist
Yonsok YI; R2501 (음악이 현악기 속에 있지 않듯이,), 2025; oil and acrylic polymer inlaid on engraved and finely sanded wooden panels, 42.3 × 42.3 × 4.2 cm, 35 × 35 × 4.2 cm, 28 × 28 × 4.2 cm, 21 × 21 × 4.2 cm (7-unit composition); courtesy of the artist (photo: Joseph Lee)Yonsok YI; R2502 (우리는 새들의 발에서 서체를 훔쳤다.), 2025; oil and acrylic polymer inlaid on engraved and finely sanded wooden panels, 35 × 35 × 4.2 cm, 21 × 21 × 4.2 cm, 14 × 14 × 4.2 cm, 14 × 14 × 2.7 cm (10-unit composition); courtesy of the artist (photo: Joseph Lee)Yonsok YI; R2503 (나르는 도둑들), 2025; oil, acrylic polymer, and phosphorescent pigment inlaid on engraved and finely sanded wooden panels, 21 × 21 × 4.2 cm, 14 × 14 × 4.2 cm (5-unit composition); courtesy of the artist (photo: Joseph Lee)Yonsok YI; R2504 (나르는 도둑들), 2022/2025; oil and acrylic polymer inlaid on engraved and finely sanded wooden panels, 35 × 35 × 4.2 cm, 28 × 28 × 4.2 cm, 21 × 21 × 4.2 cm, 14 × 14 × 4.2 cm (6-unit composition); courtesy of the artist (photo: Joseph Lee)Yonsok YI; 2023; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; R2505 (꿈은 글에서 태어나지 않았고,), 2025; oil and acrylic polymer inlaid on engraved and finely sanded wooden panels, 42.3 × 42.3 × 4.2 cm, 28 × 28 × 4.2 cm, 14 × 14 × 4.2 cm (4-unit composition); courtesy of the artist (photo: Joseph Lee)Yonsok YI; R2506 (이 세상에 동양은 없다.), 2021/2025; oil and acrylic polymer inlaid on engraved and finely sanded wooden panel, 42.3 × 42.3 × 4.2 cm; oil and acrylic polymer on canvas mounted on wooden panel with nails, 28 × 28 × 3 cm (2-unit composition); courtesy of the artist (photo: Joseph Lee)Yonsok YI; R2507 (중국의 새들), 2025; oil and acrylic polymer inlaid on engraved and finely sanded wooden panels, 42.3 × 42.3 × 4.2 cm (2-unit composition); courtesy of the artist (photo: Joseph Lee)Yonsok YI; R2508 (거짓말), 2021/2025; oil and acrylic polymer inlaid on engraved and finely sanded wooden panels, 28 × 28 × 4.2 cm, 14 × 14 × 2.7 cm (2-unit composition); courtesy of the artist (photo: Joseph Lee)Yonsok YI; R2509, 2022/2024; oil, ceramic powder, and acrylic polymer inlaid on engraved and finely sanded wooden panels, 21 × 21 × 2.7 cm, 15 × 15 × 4.2 cm (2-unit composition); courtesy of the artist (photo: Joseph Lee)Yonsok YI; R2510 (저녁에 이르기 위해서,), 2022/2025; oil and acrylic polymer inlaid on engraved and finely sanded wooden panels, 28 × 28 × 4.2 cm (5-unit composition); courtesy of the artist (photo: Joseph Lee)Yonsok YI; R2511 (저녁에 이르기 위해서,), 2022/2025; oil and acrylic polymer inlaid on engraved and finely sanded wooden panels, 28 × 28 × 4.2 cm (5-unit composition); courtesy of the artist (photo: Joseph Lee)Yonsok YI; R2512 (나르는 도둑들), 2023/2025; oil, ceramic powder, and acrylic polymer inlaid on engraved and finely sanded wooden panels, 14 × 14 × 4.2 cm, 14 × 14 × 2.7 cm (5-unit composition); courtesy of the artist (photo: Joseph Lee)Yonsok YI; R2513 (나르는 도둑들), 2022/2025; oil, acrylic polymer, and phosphorescent pigment inlaid on engraved and finely sanded wooden panels, 28 × 28 × 4.2 cm, 19.7 × 19.7 × 1.9 cm, 14 × 14 × 2.7 cm, 14 × 14 × 1.9 cm (5-unit composition); courtesy of the artist (photo: Joseph Lee)Yonsok YI; R2514, 2025; oil and acrylic polymer inlaid on engraved and finely sanded wooden panels, 21 × 29.8 × 2.5 cm (2-unit composition); courtesy of the artist (photo: Joseph Lee)Yonsok YI; 거울판 Kagami-ita, 2025; oil on black canvas, 73.5 × 91.5 × 5 cm; courtesy of the artist (photo: Joseph Lee)Yonsok YI; R2515 (Usurer), 2025; oil and acrylic polymer inlaid on engraved and finely sanded wooden panel, 18 × 25.8 × 2.6 cm; courtesy of the artist (photo: Joseph Lee)Yonsok YI; Tobias and the Angel (1/2), 2025, oil on black canvas, 30.3 × 30.3 × 4 cm (2-unit composition); courtesy of the artist (photo: Joseph Lee)Yonsok YI; Tobias and the Angel (2/2), 2025, oil on black canvas, 30.3 × 30.3 × 4 cm (2-unit composition); courtesy of the artist (photo: Joseph Lee)Yonsok YI; The Blindness of Tobit, 2025; oil on paper panels, 27.5 × 22 × 2.7 cm (2-unit composition); courtesy of the artist (photo: Joseph Lee)Yonsok YI; Tobias and the Angel (overpainted on Hotel, 2025), 2025; oil on black canvas, 100.5 × 80 cm; courtesy of the artist (photo: Joseph Lee)Yonsok YI, Tobias and the Angel (overpainted on Sfumato, 2021-2025), 2025, oil on black canvas, 97 × 97 cm; courtesy of the artist (photo: Joseph Lee)Yonsok YI; Reading, 2021; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; Reading, 2021; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; Reading, 2021; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); Windmill, Seoul, Korea; 2023; courtesy of the artist; photo: uma shinYonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); Windmill, Seoul, Korea; 2023; courtesy of the artist; photo: uma shinYonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); Windmill, Seoul, Korea; 2023; courtesy of the artist; photo: uma shinYonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); Windmill, Seoul, Korea; 2023; courtesy of the artist; photo: uma shinYonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); Windmill, Seoul, Korea; 2023; courtesy of the artist; photo: uma shinYonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); Windmill, Seoul, Korea; 2023; courtesy of the artist; photo: uma shinYonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); Windmill, Seoul, Korea; 2023; courtesy of the artist; photo: uma shinYonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); Windmill, Seoul, Korea; 2023; courtesy of the artist; photo: uma shinYonsok YI; Eyes Far Lips Act 2, Windmill, Seoul, Korea; 2023; courtesy of the artist; photo credit: uma shinYonsok YI; Eyes Far Lips Act 2, Windmill, Seoul, Korea; 2023; courtesy of the artist; photo credit: uma shinYonsok YI; Eyes Far Lips Act 2, Windmill, Seoul, Korea; 2023; courtesy of the artist; photo credit: uma shinYonsok YI; Eyes Far Lips Act 2, Windmill, Seoul, Korea; 2023; courtesy of the artist; photo credit: uma shinYonsok YI; Eyes Far Lips Act 2, Windmill, Seoul, Korea; 2023; courtesy of the artist; photo credit: uma shinYonsok YI; Eyes Far Lips Act 2, Windmill, Seoul, Korea; 2023; courtesy of the artist; photo credit: uma shinYonsok YI; Eyes Far Lips Act 2, Windmill, Seoul, Korea; 2023; courtesy of the artist; photo credit: uma shinYonsok YI; Eyes Far Lips Act 2, Windmill, Seoul, Korea; 2023; courtesy of the artist; photo credit: uma shinYonsok YI; Eyes Far Lips Act 2, Windmill, Seoul, Korea; 2023; C. H. Lee; Ceremonial robe of rectangular construction, 2023; cotton poplin with silk organza interior bustle, presented on Siegel & Stock-man couture mannequin; courtesy of the artists; photo: uma shinYonsok YI; Eyes Far Lips Act 2, Windmill, Seoul, Korea; 2023; courtesy of the artist; photo credit: uma shinYonsok YI; Eyes Far Lips Act 2, Windmill, Seoul, Korea; 2023; courtesy of the artist; photo credit: uma shinYonsok YI; Eyes Far Lips Act 2, Windmill, Seoul, Korea; 2023; courtesy of the artist; photo credit: uma shinYonsok YI; Eyes Far Lips Act 2, Windmill, Seoul, Korea; 2023; courtesy of the artist; photo credit: uma shinYonsok YI; Eyes Far Lips Act 2, Windmill, Seoul, Korea; 2023; Yongjae Lee; The Ambassadors, 2023; oil on linen; courtesy of the artists; photo: uma shin
Yonsok YI; Eyes Far Lips Act 2, Windmill, Seoul, Korea; 2023; Yongjae Lee; Anamorphosis, 2023; oil on linen; courtesy of the artists; photo: uma shin
Yonsok YI; Eyes Far Lips Act 2, Windmill, Seoul, Korea; 2023; Yongjae Lee; Anamorphosis, 2023; oil on linen; courtesy of the artists; photo: uma shinYonsok YI; Eyes Far Lips Act 2, Windmill, Seoul, Korea; 2023; courtesy of the artist; photo credit: uma shinYonsok YI; Eyes Far Lips Act 2, Windmill, Seoul, Korea; 2023; courtesy of the artist; photo credit: uma shinYonsok YI; Eyes Far Lips Act 2, Windmill, Seoul, Korea; 2023; C. H. Lee; Ceremonial tunic in the form of a cross, 2023; wool, cotton, linen, interfaced in silk organza; courtesy of the artists; photo: uma shinYonsok YI; Eyes Far Lips Act 2, Windmill, Seoul, Korea; 2023; courtesy of the artist; photo credit: uma shinYonsok YI; Eyes Far Lips Act 2, Windmill, Seoul, Korea; 2023; Muyeong Kim; a Featurette (Sfumato), 2022/2023; text engraving on cowhide; courtesy of the artists; photo: uma shin
Yonsok YI; Eyes Far Lips Act 2, Windmill, Seoul, Korea; 2023; Muyeong Kim; a Featurette (Tantalus), 2022/2023; text engraving on cowhide; courtesy of the artists; photo: uma shinYonsok YI; Eyes Far Lips Act 2, Windmill, Seoul, Korea; 2023; Muyeong Kim; a Featurette (Easel), 2022/2023; text engraving on lambskin; courtesy of the artists; photo: uma shinYonsok YI; Eyes Far Lips Act 2, Windmill, Seoul, Korea; 2023; courtesy of the artist; photo credit: uma shinYonsok YI; Eyes Far Lips Act 2, Windmill, Seoul, Korea; 2023; courtesy of the artist; photo credit: uma shinYonsok YI; Eyes Far Lips Act 2, Windmill, Seoul, Korea; 2023; courtesy of the artist; photo credit: uma shinYonsok YI; Eyes Far Lips Act 2, Windmill, Seoul, Korea; 2023; courtesy of the artist; photo credit: uma shinYonsok YI; 2025; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 2025; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 2025; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 2025; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 2025; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 2023; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 2023; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 2023; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 2023; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 2023; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 2023; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 2021; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 2023; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 2023; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 2023; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 2023; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 2023; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 2021; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 2023; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 2023; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 2023; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 2023; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 2023; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 2023; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 2023; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 2023; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 2023; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 2023; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 2023; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 2023; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 2023; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 2023; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; Disloyalty Production Intro 1/9, 2024; oil on black canvas, oblique frame, 60 × 60 × 12 cm; courtesy of the artist (photo: Joseph Lee)Yonsok YI; Disloyalty Production Intro 2/9, 2024; oil on black canvas, oblique frame, 60 × 60 × 12 cm; courtesy of the artist (photo: Joseph Lee)Yonsok YI; Disloyalty Production Intro 3/9, 2024; oil on black canvas, oblique frame, 60 × 60 × 12 cm; courtesy of the artist (photo: Joseph Lee)Yonsok YI; Disloyalty Production Intro 4/9, 2024; oil on black canvas, oblique frame, 60 × 60 × 12 cm; courtesy of the artist (photo: Joseph Lee)Yonsok YI; Disloyalty Production Intro 5/9, 2024; oil on black canvas, oblique frame, 60 × 60 × 12 cm; courtesy of the artist (photo: Joseph Lee)Yonsok YI; Disloyalty Production Intro 6/9, 2024; oil on black canvas, 60 × 60 × 12 cm; courtesy of the artist (photo: Joseph Lee)Yonsok YI; Disloyalty Production Intro 7/9, 2024; oil on black canvas, oblique frame, 60 × 60 × 12 cm; courtesy of the artist (photo: Joseph Lee)Yonsok YI; Disloyalty Production Intro 8/9, 2024; oil on black canvas, oblique frame, 60 × 60 × 12 cm; courtesy of the artist (photo: Joseph Lee)Yonsok YI; Disloyalty Production Intro 9/9, 2024; oil on black canvas, oblique frame, 60 × 60 × 12 cm; courtesy of the artist (photo: Joseph Lee)Yonsok YI; 눈 먼 입 Eyes Far Lips; Whitenoise, Seoul, Korea; 2022; courtesy of the artist; photo: Haeyoung Kim
Yonsok YI; 눈 먼 입 Eyes Far Lips; Whitenoise, Seoul, Korea; 2022; courtesy of the artist; photo: Haeyoung Kim
Yonsok YI; 눈 먼 입 Eyes Far Lips; Whitenoise, Seoul, Korea; 2022; courtesy of the artist; photo: Haeyoung Kim
Yonsok YI; 눈 먼 입 Eyes Far Lips; Whitenoise, Seoul, Korea; 2022; courtesy of the artist; photo: uma shinYonsok YI; 눈 먼 입 Eyes Far Lips; Whitenoise, Seoul, Korea; 2022; courtesy of the artist; photo: uma shinYonsok YI; 눈 먼 입 Eyes Far Lips; Whitenoise, Seoul, Korea; 2022; courtesy of the artist; photo: uma shinYonsok YI; 눈 먼 입 Eyes Far Lips; Whitenoise, Seoul, Korea; 2022; courtesy of the artist; photo: Haeyoung Kim
Yonsok YI; 눈 먼 입 Eyes Far Lips; Whitenoise, Seoul, Korea; 2022; courtesy of the artist; photo: Haeyoung Kim
Yonsok YI; 눈 먼 입 Eyes Far Lips; Whitenoise, Seoul, Korea; 2022; courtesy of the artist; photo: uma shinYonsok YI; 눈 먼 입 Eyes Far Lips; Whitenoise, Seoul, Korea; 2022; courtesy of the artist; photo: uma shinYonsok YI; 눈 먼 입 Eyes Far Lips; Whitenoise, Seoul, Korea; 2022; courtesy of the artist; photo: uma shinYonsok YI; 눈 먼 입 Eyes Far Lips; Whitenoise, Seoul, Korea; 2022; courtesy of the artist; photo: uma shinYonsok YI; 눈 먼 입 Eyes Far Lips; Whitenoise, Seoul, Korea; 2022; courtesy of the artist; video still: Chang YounghaeYonsok YI; 눈 먼 입 Eyes Far Lips; Whitenoise, Seoul, Korea; 2022; courtesy of the artist; video still: Chang YounghaeYonsok YI; 눈 먼 입 Eyes Far Lips; Whitenoise, Seoul, Korea; 2022; courtesy of the artist; video still: Chang YounghaeYonsok YI; 눈 먼 입 Eyes Far Lips; Whitenoise, Seoul, Korea; 2022; courtesy of the artist; video still: Chang YounghaeYonsok YI; 눈 먼 입 Eyes Far Lips; Whitenoise, Seoul, Korea; 2022; courtesy of the artist; video still: Chang YounghaeYonsok YI; 눈 먼 입 Eyes Far Lips; Whitenoise, Seoul, Korea; 2022; courtesy of the artist; video still: Chang YounghaeYonsok YI; 눈 먼 입 Eyes Far Lips; Whitenoise, Seoul, Korea; 2022; courtesy of the artist; video still: Chang YounghaeYonsok YI; 눈 먼 입 Eyes Far Lips; Whitenoise, Seoul, Korea; 2022; courtesy of the artist; video still: Chang YounghaeYonsok YI; 눈 먼 입 Eyes Far Lips; Whitenoise, Seoul, Korea; 2022; courtesy of the artist; video still: Chang YounghaeYonsok YI; 눈 먼 입 Eyes Far Lips; Whitenoise, Seoul, Korea; 2022; courtesy of the artist; photo: uma shinYonsok YI; 눈 먼 입 Eyes Far Lips; Whitenoise, Seoul, Korea; 2022; courtesy of the artist; photo: uma shinYonsok YI; 눈 먼 입 Eyes Far Lips; Whitenoise, Seoul, Korea; 2022; courtesy of the artist; video still: Chang YounghaeYonsok YI; 눈 먼 입 Eyes Far Lips; Whitenoise, Seoul, Korea; 2022; courtesy of the artist; video still: Chang YounghaeYonsok YI; 눈 먼 입 Eyes Far Lips; Whitenoise, Seoul, Korea; 2022; courtesy of the artist; video still: Chang YounghaeYonsok YI; 눈 먼 입 Eyes Far Lips; Whitenoise, Seoul, Korea; 2022; courtesy of the artist; video still: Chang YounghaeYonsok YI; 눈 먼 입 Eyes Far Lips; Whitenoise, Seoul, Korea; 2022; courtesy of the artist; photo: uma shinYonsok YI; 눈 먼 입 Eyes Far Lips; Whitenoise, Seoul, Korea; 2022; courtesy of the artist; video still: Chang YounghaeYonsok YI; Thunder, 2021; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; Thunder, 2021; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; Reading, 2021; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; Reading, 2021; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; Murmur, 2021; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 2021; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 2021; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 2021; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; Die Winterreise, 2021; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; Mangtae, 2021; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; Mangtae, 2021; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI, Mirror, 2021, digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; Mirror, 2021; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; Flying Thief Who Swallowed Diamonds 1, 2021; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; Flying Thief Who Swallowed Diamonds 2, 2021; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; Flying Thief Who Swallowed Diamonds 3, 2021; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; Flying Thief Who Swallowed Diamonds 4, 2021; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 2021; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 2021; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 2021; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 2021; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; 2021; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artistYonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, mounted on a glass wall; courtesy of the artistYonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, mounted on a glass wall; courtesy of the artistYonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, mounted on a glass wall; courtesy of the artistYonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, mounted on a glass wall; courtesy of the artistYonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, mounted on a glass wall; courtesy of the artistYonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, mounted on a glass wall; courtesy of the artistYonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, mounted on a glass wall; courtesy of the artistYonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, mounted on a glass wall; courtesy of the artistYonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, mounted on a glass wall; courtesy of the artistYonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, mounted on a glass wall; courtesy of the artistYonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, mounted on a glass wall; courtesy of the artistYonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, mounted on a glass wall; courtesy of the artistYonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, mounted on a glass wall; courtesy of the artistYonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, mounted on a glass wall; courtesy of the artistYonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, mounted on a glass wall; courtesy of the artistYonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, mounted on a glass wall; courtesy of the artistYonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, mounted on a glass wall; courtesy of the artistYonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, mounted on a glass wall; courtesy of the artistYonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, mounted on a glass wall; courtesy of the artistYonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, mounted on a glass wall; courtesy of the artistYonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, mounted on a glass wall; courtesy of the artistYonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, mounted on a glass wall; courtesy of the artistYonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, mounted on a glass wall; courtesy of the artistYonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, mounted on a glass wall; courtesy of the artistYonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, mounted on a glass wall; courtesy of the artistYonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, mounted on a glass wall; courtesy of the artistYonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, mounted on a glass wall; courtesy of the artistYonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, mounted on a glass wall; courtesy of the artistYonsok YI; “En este mundo nada es perfecto. As my father would say.”, 2019; oil on canvas, 145 × 258.9 cm; with “The culet seems big.”, 2019; oil on canvas, 30 × 30 cm; “The crown and pavilion don’t fit.”, 2019; oil on canvas, 54.2 × 34.2 cm; “The girdle comes out crooked.”, 2019; oil on canvas, 30 × 30 cm; Weekend, Seoul, Korea; courtesy of the artist; photo: Hansol BaeYonsok YI; Vera Verto; Weekend, Seoul, Korea; 2020; courtesy of the artist photo: Hansol BaeYonsok YI; Vera Verto; Weekend, Seoul, Korea; 2020; courtesy of the artist photo: Hansol Bae