19072025 Whistle and Shower, Seoul, Korea, group exhibition, “Rooms of Convergence”
Installation view at Whistle (photo credit: Ian Yang)Installation view at Shower (photo credit: Ian Yang)Yonsok YI; Gilded Script (Bonds with Blots), 2021. Oil on paper; courtesy of Artist (photo credit: Joseph Lee)Yonsok YI; R2516 저녁에 이르기 위해서 To arrive at evening, 2022/2023/2025. Oil, resin, and phosphorescent pigment on hand‑carved wood panel (7‑unit composition); courtesy of Artist (photo credit: Joseph Lee)Yonsok YI; 섬전암 Fulgurite, 2022. Oil on hand‑carved wood panel (scanned image from LNS); courtesy of ArtistYonsok YI; 섬전암 Fulgurite, 2022. Oil on hand‑carved wood panel (scanned image from LNS); courtesy of ArtistYonsok YI; R2517 나르는 도둑들 Flying Thieves, 2023/2025. Oil, resin, and phosphorescent pigment on hand‑carved wood panel (5‑unit composition); courtesy of Artist (photo credit: Joseph Lee)Yonsok YI; 함 函 Korean Wedding Chest, 2023. Oil and phosphorescent pigment on hand‑carved wood panel (scanned image from LNS); courtesy of ArtistYonsok YI; 함 函 Korean Wedding Chest, 2023. Oil and phosphorescent pigment on hand‑carved wood panel (scanned image from LNS); courtesy of ArtistYonsok YI; Reciter’s Tongue (prop featured in “Ambassadors,” a segment of Eyes Far Lips in 2023), 2022. Oil and resin on hand‑carved wood panel; courtesy of Artist (photo credit: uma shin)Yonsok YI; 거울판 Kagami-ita, 2025. Oil on black canvas; courtesy of Artist (photo credit: Joseph Lee)Yonsok YI; 거울판 Kagami-ita, 2025. Oil on black canvas; courtesy of Artist (photo credit: Joseph Lee)Yonsok YI; 거울판 Kagami-ita, 2025. Oil on black canvas; courtesy of Artist (photo credit: Joseph Lee)