16062025 Liste, Basel, Switzerland, presented by Shower; alongside Kyungtae Kim, presented by Whistle
installation view; Messe Basel Hall 1.1, Basel, Switzerland, “In the Living Room”, Liste Art Fair Basel, 2025; presented by Shower; alongside Kyungtae Kim, presented by Whistle; courtesy of Shower & Whistle
installation view; Messe Basel Hall 1.1, Basel, Switzerland, “In the Living Room”, Liste Art Fair Basel, 2025; presented by Shower; alongside Kyungtae Kim, presented by Whistle; courtesy of Shower & WhistleYonsok YI, R2501 (음악이 현악기 속에 있지 않듯이,), 2025, oil and acrylic polymer inlaid on engraved and finely sanded wooden panel, 42.3 x 42.3 x 4.2 cm, 35 x 35 x 4.2 cm, 28 x 28 x 4.2 cm, 21 x 21 x 4.2 cm (7-unit composition); courtesy of Artist (photo credit: Joseph Lee)Yonsok YI, R2502 (우리는 새들의 발에서 서체를 훔쳤다.), 2025, oil and acrylic polymer inlaid on engraved and finely sanded wooden panel, 35 x 35 x 4.2 cm, 21 x 21 x 4.2 cm, 14 x 14 x 4.2 cm, 14 x 14 x 2.7 cm (10-unit composition); courtesy of Artist (photo credit: Joseph Lee)Yonsok YI, R2503 (나르는 도둑들), 2025, oil, acrylic polymer, and phosphorescent pigment inlaid on engraved and finely sanded wooden panel, 21 x 21 x 4.2 cm, 14 x 14 x 4.2 cm (5-unit composition); courtesy of Artist (photo credit: Joseph Lee)Yonsok YI, R2504 (나르는 도둑들), 2022/2025, oil and acrylic polymer inlaid on engraved and finely sanded wooden panel, 35 x 35 x 4.2 cm, 28 x 28 x 4.2 cm, 21 x 21 x 4.2 cm, 14 x 14 x 4.2 cm (6-unit composition); courtesy of Artist (photo credit: Joseph Lee)Yonsok YI, R2506 (이 세상에 동양은 없다.), 2021/2025, oil and acrylic polymer inlaid on engraved and finely sanded wooden panel, 42.3 x 42.3 x 4.2 cm; detail; courtesy of Artist (photo credit: Joseph Lee)Yonsok YI, R2505 (꿈은 글에서 태어나지 않았고,), 2025, oil and acrylic polymer inlaid on engraved and finely sanded wooden panel, 42.3 x 42.3 x 4.2 cm, 28 x 28 x 4.2 cm, 14 x 14 x 4.2 cm (4-unit composition); courtesy of Artist (photo credit: Joseph Lee)Yonsok YI, R2506 (이 세상에 동양은 없다.), 2021/2025, oil and acrylic polymer inlaid on engraved and finely sanded wooden panel, 42.3 x 42.3 x 4.2 cm, oil and acrylic polymer on canvas, 28 x 28 x 3 cm (2-unit composition); courtesy of Artist (photo credit: Joseph Lee)Yonsok YI, R2507 (중국의 새들), 2025, oil and acrylic polymer inlaid on engraved and finely sanded wooden panel, 42.3 x 42.3 x 4.2 cm (2-unit composition); courtesy of Artist (photo credit: Joseph Lee)Yonsok YI, R2508 (거짓말), 2021/2025, oil and acrylic polymer inlaid on engraved and finely sanded wooden panel, 28 x 28 x 4.2 cm, 14 x 14 x 2.7 cm (2-unit composition); courtesy of Artist (photo credit: Joseph Lee)Yonsok YI, R2509, 2022/2024, oil, ceramic powder, and acrylic polymer inlaid on engraved and finely sanded wooden panel, 21 x 21 x 2.7 cm, 15 x 15 x 4.2 cm (2-unit composition); courtesy of Artist (photo credit: Joseph Lee)Yonsok YI, R2510 (저녁에 이르기 위해서,), 2022/2023/2025, oil and acrylic polymer inlaid on engraved and finely sanded wooden panel, 28 x 28 x 4.2 cm (5-unit composition); courtesy of Artist (photo credit: Joseph Lee)Yonsok YI, R2511 (저녁에 이르기 위해서,), 2022/2023/2025, oil and acrylic polymer inlaid on engraved and finely sanded wooden panel, 28 x 28 x 4.2 cm (5-unit composition); courtesy of Artist (photo credit: Joseph Lee)Yonsok YI, R2512 (나르는 도둑들), 2023/2025, oil, ceramic powder, and acrylic polymer inlaid on engraved and finely sanded wooden panel, 28 x 28 x 4.2 cm (5-unit composition); courtesy of Artist (photo credit: Joseph Lee)Yonsok YI, R2513 (나르는 도둑들), 2022/2023/2025, oil, acrylic polymer, and phosphorescent pigment inlaid on engraved and finely sanded wooden panel, 28 x 28 x 4.2 cm, 19.7 x 19.7 x 1.9 cm, 14 x 14 x 2.7 cm, 14 x 14 x 1.9 cm (5-unit composition); courtesy of Artist (photo credit: Joseph Lee)Yonsok YI, R2514, 2025, oil and acrylic polymer inlaid on engraved and finely sanded wooden panel, 21 x 29.8 x 2.5 cm (2-unit composition); courtesy of Artist (photo credit: Joseph Lee)Yonsok YI, R2515 (Usurer), 2025, oil and acrylic polymer inlaid on engraved and finely sanded wooden panel, 18 x 25.8 x 2.6 cm; courtesy of Artist (photo credit: Joseph Lee)Yonsok YI, The Blindness of Tobit, 2025, oil on paper panel, 27.5 x 22 x 2.7 cm (2-unit composition); courtesy of Artist (photo credit: Joseph Lee)Yonsok YI, Tobias and the Angel (1/2), 2025, oil on black canvas, 30.3 x 30.3 x 4 cm (2-unit composition); courtesy of Artist (photo credit: Joseph Lee)Yonsok YI, Tobias and the Angel (2/2), 2025, oil on black canvas, 30.3 x 30.3 x 4 cm (2-unit composition); courtesy of Artist (photo credit: Joseph Lee)Yonsok YI, Kagami-ita (거울판), 2025, oil on black canvas, 73.5 x 91.5 x 5 cm; courtesy of Artist (photo credit: Joseph Lee)Yonsok YI, Tobias and the Angel, 2025, oil on black canvas (Hotel, 2025), 100.5 x 80 cm; courtesy of Artist (photo credit: Joseph Lee)Yonsok YI, Tobias and the Angel, 2025, oil on black canvas (Sfumato, 2021-2025), 97 x 97 cm; courtesy of Artist (photo credit: Joseph Lee)