16062025 Liste, Basel, Switzerland, presented by Shower; with Kyungtae Kim presented by Whistle
installation view of In the Living Room, 2025; Liste Art Fair Basel, Messe Basel Hall 1.1, Basel, Switzerland; presented by Shower; with Kyungtae Kim presented by Whistle; courtesy of the artists; photo: Jinhyuk Oh; image compositing: yoninstallation view of In the Living Room, 2025; Liste Art Fair Basel, Messe Basel Hall 1.1, Basel, Switzerland; presented by Shower; with Kyungtae Kim presented by Whistle; courtesy of the artists; photo: Jinhyuk Oh; image compositing: yonYonsok YI; R2501 (음악이 현악기 속에 있지 않듯이,), 2025; oil and acrylic polymer inlaid on engraved and finely sanded wooden panels; 42.3 × 42.3 × 4.2 cm, 35 × 35 × 4.2 cm, 28 × 28 × 4.2 cm, 21 × 21 × 4.2 cm (7-unit composition); courtesy of the artist; photo: Joseph LeeYonsok YI; R2502 (우리는 새들의 발에서 서체를 훔쳤다.), 2025; oil and acrylic polymer inlaid on engraved and finely sanded wooden panels; 35 × 35 × 4.2 cm, 21 × 21 × 4.2 cm, 14 × 14 × 4.2 cm, 14 × 14 × 2.7 cm (10-unit composition); courtesy of the artist; photo: Joseph LeeYonsok YI; R2503 (나르는 도둑들), 2025; oil, acrylic polymer, and phosphorescent pigment inlaid on engraved and finely sanded wooden panels; 21 × 21 × 4.2 cm, 14 × 14 × 4.2 cm (5-unit composition); courtesy of the artist; photo: Joseph LeeYonsok YI; R2504 (나르는 도둑들), 2022/2025; oil and acrylic polymer inlaid on engraved and finely sanded wooden panels; 35 × 35 × 4.2 cm, 28 × 28 × 4.2 cm, 21 × 21 × 4.2 cm, 14 × 14 × 4.2 cm (6-unit composition); courtesy of the artist; photo: Joseph LeeYonsok YI; R2505 (꿈은 글에서 태어나지 않았고,), 2025; oil and acrylic polymer inlaid on engraved and finely sanded wooden panels; 42.3 × 42.3 × 4.2 cm, 28 × 28 × 4.2 cm, 14 × 14 × 4.2 cm (4-unit composition); courtesy of the artist; photo: Joseph LeeYonsok YI; R2506 (이 세상에 동양은 없다.), 2025; panel 1 fo 2; oil and acrylic polymer inlaid on engraved and finely sanded wooden panel; 42.3 × 42.3 × 4.2 cm, detail; courtesy of the artist; photo: Joseph LeeYonsok YI; R2506 (이 세상에 동양은 없다.), 2021/2025; oil and acrylic polymer inlaid on engraved and finely sanded wooden panel, 42.3 × 42.3 × 4.2 cm; oil and acrylic polymer on canvas mounted on wooden panel with nails, 28 × 28 × 3 cm; (2-unit composition); courtesy of the artist; photo: Joseph Lee
Yonsok YI; R2507 (중국의 새들), 2025; oil and acrylic polymer inlaid on engraved and finely sanded wooden panels, 42.3 × 42.3 × 4.2 cm (2-unit composition); courtesy of the artist; photo: Joseph LeeYonsok YI; R2508 (거짓말), 2021/2025, oil and acrylic polymer inlaid on engraved and finely sanded wooden panels; 28 × 28 × 4.2 cm, 14 × 14 × 2.7 cm (2-unit composition); courtesy of the artist; photo: Joseph LeeYonsok YI; R2509, 2022/2024; oil, ceramic powder, and acrylic polymer inlaid on engraved and finely sanded wooden panels, 21 × 21 × 2.7 cm, 15 × 15 × 4.2 cm (2-unit composition); courtesy of the artist (photo: Joseph Lee)Yonsok YI; R2510 (저녁에 이르기 위해서,), 2022/2025; oil and acrylic polymer inlaid on engraved and finely sanded wooden panels, 28 × 28 × 4.2 cm (5-unit composition); courtesy of the artist (photo: Joseph Lee)Yonsok YI; R2511 (저녁에 이르기 위해서,), 2022/2025; oil and acrylic polymer inlaid on engraved and finely sanded wooden panels, 28 × 28 × 4.2 cm (5-unit composition); courtesy of the artist (photo: Joseph Lee)Yonsok YI; R2512 (나르는 도둑들), 2023/2025; oil, ceramic powder, and acrylic polymer inlaid on engraved and finely sanded wooden panels, 14 × 14 × 4.2 cm, 14 × 14 × 2.7 cm (5-unit composition); courtesy of the artist (photo: Joseph Lee)Yonsok YI; R2513 (나르는 도둑들), 2022/2025; oil, acrylic polymer, and phosphorescent pigment inlaid on engraved and finely sanded wooden panels, 28 × 28 × 4.2 cm, 19.7 × 19.7 × 1.9 cm, 14 × 14 × 2.7 cm, 14 × 14 × 1.9 cm (5-unit composition); courtesy of the artist (photo: Joseph Lee)Yonsok YI; R2514, 2025; oil and acrylic polymer inlaid on engraved and finely sanded wooden panels, 21 × 29.8 × 2.5 cm (2-unit composition); courtesy of the artist (photo: Joseph Lee)Yonsok YI; 거울판 Kagami-ita, 2025; oil on black canvas, 73.5 × 91.5 × 5 cm; courtesy of the artist (photo: Joseph Lee)Yonsok YI; R2515 (Usurer), 2025; oil and acrylic polymer inlaid on engraved and finely sanded wooden panel, 18 × 25.8 × 2.6 cm; courtesy of the artist (photo: Joseph Lee)Yonsok YI; The Blindness of Tobit, 2025; oil on paper panels, 27.5 × 22 × 2.7 cm (2-unit composition); courtesy of the artist (photo: Joseph Lee)Yonsok YI; Tobias and the Angel (1/2), 2025, oil on black canvas, 30.3 × 30.3 × 4 cm (2-unit composition); courtesy of the artist (photo: Joseph Lee)Yonsok YI; Tobias and the Angel (2/2), 2025, oil on black canvas, 30.3 × 30.3 × 4 cm (2-unit composition); courtesy of the artist (photo: Joseph Lee)Yonsok YI; Tobias and the Angel (overpainted on Hotel, 2025), 2025; oil on black canvas, 100.5 × 80 cm; courtesy of the artist (photo: Joseph Lee)Yonsok YI, Tobias and the Angel (overpainted on Sfumato, 2021-2025), 2025, oil on black canvas, 97 × 97 cm; courtesy of the artist (photo: Joseph Lee)